4hisglory,
This is a follow-up to what I was saying earlier about how I see the fretboard. I agree with B3 about playing in a way to keep the fretting hand from much movement but at this moment I am placing more emphasis on seeing the music quickly and keeping up with everyone else quickly. Looking at the notes this way allows me to keep everything in sequence. So, regardless of where I place the 7 (a-string, b-string before the 1), this, again, is the pattern in my head:
:- - - - -+- - - - -+- - x - -+- - x - -+- - - - -+- - x - -+- - - - -+
:- - - - -+- - - - -+- - x - -+- - x - -+- - - - -+- - x - -+- - - - -+
:- - - - -+- - 4 - -+- - - - -+- - 5 - -+- - - - -+- - 6 - -+- - - - -+- - 7 - -+
:- - - - -+- - 1 - -+- - - - -+- - 2 - -+- - - - -+- - 3 - -+- - - - -+
Listen to the Larry Trotter's Next Dimension. This song moves slowly thru the progression. Other than the passing notes, this is the gist of that song placing the 1 on C sharp (2nd fret B-string). Starting at "Go with me, to a place..."
1-2-3-----4-5-6-----6s----7-3-6
5-4-3-----2-3-4-5---1
Theoretically, I would place my 2nd finger on 2, 4th finger on 3. Stretch for the 1, shift for the 7, or play a-string 7. (really, my hand is all over the place, even when I play 'stack-pattern')
For me, it moves in a circle. Of course, I have to move my hand for the 7 but, at this moment of my learning, I don't mind. It would be a whole lot easier to play this the stacked way which, eventually I would do. But, right now, this odd 7 allows me to handle the 7-3-6 package fast. Like I said, it's not the right way but it helps me.
Tony