Thanks for this, do you have more? 
Actually, yeah. But honestly, all of my chops are based on scales. What I've tried to do, however, is develop my style by trying to play like a guitar player would play (specifically Jonathon Dubose). That helps me when it's time to do improv during service. I also try to listen to how singers do their curves and runs. Then, when it's time to solo on a specific song, I try to mimic the runs that a singer would do. That way the people feel like I'm singing through my sax, not just throwing some technical junk at them. I wouldn't describe Charlie Parker's playing as beautiful or melodic. But the guy's fingers and control of his horn was phenomenal!! But people at church don't want to hear me do a bunch of scales and patterns while the musicians are playing "Jesus, You're the Center of my Joy."
The music calls for melody, singing. So anything I give you, if you like it, try to use it as guidelines, not as as stone laws.
These are the scales that I use in almost everything I do:
Chromatic scale, Major (Ionian scales), Minor (Dorian, Aeolian, Harmonic, Blues), Major Pentatonic, Myxolydian.
If you know these scales, practice the same pattern as I showed you with the Major scales. Also learn the number of each scale step. That way instead of someone having to give you 7 different scales, you can know the number of the scale step and apply the pattern no matter what key you're in.
This is something I like to do as well. When you're playing the 3rd note of a major scale, try to play 1/2 step below and slide up to the note you're trying to play. For instance, if you're in G Major your 3rd note would be B. Instead of just playing B, try sliding from Bb to B. It sounds a bit smoother. You can also do that with the 5th note and 7th note of each scale. It just depends on the sound you're going for.
I hope this helps also. Happy practicing.
