I went to GC today and guess what. They had all three of these sets assembled on the sales floor. The salesman gave me free reign to try them out. I played with the tuning on each one and test drove all of them. I totally get the rave over the bubinga kit. That thing sounds awesome! If I would compare them to anything it would be like hearing Barry White sing a solo in a cave... a lot of low end. The oaks sound emaculate as well, but my fear was confirmed. I don't think they would work well in every situation. They're definitely not an all-purpose set. The bubinga/birch set was my favorite. I couldn't stay off that set. It sounds very similar to the all bubinga shells, it just has a tad bit more focus and a little more precise highs. The lows are rich and thick. This drum set has a really fat sound. I think I'm going to go with *drum roll*......
Tama Starclassic Performer B/B
I would have to disagree on the versatility of the Oak Customs. I have had the privilage of seeing Dave Weckl and Akira Jimbo live playing these kits mic'd and at a 4-6 ft distance.... two totally different styles and tunings and both ran the gambit of dynamic and stylistic versatility. Also hearing Russ Miller and Keith Carlock playing them in televised/videoed performances. Conclusion is focus, punch and lows (though not like Birch) and volume to a Maple sound (full mid-range). Stock heads don't do that kit justice for comparisons.
The Strong points for the Tama Starclassic Performer Bubinga-Birch aside form the sound are the rack tom sizes and floors especially that 14"x12" Floor Tom w/legs and 16"x14" w/legs and the brushed black chrome hardware. I would splurge on the 14"x7" Bubinga snare or Musai Warlord or Mapex
Solid Steel. Even the Mapex Saturn snare or the Gretch Hammerd Copper. Something with an articulate yet dark character.
Question: What cymbals you going with?