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Author Topic: the b7th chord  (Read 990 times)

Offline made2praise

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the b7th chord
« on: May 19, 2008, 10:13:19 AM »
I  see progressions written with bVll. I was just curious if that means instead of the Vll chord being diminished and 1/2 step below the root, if it means 1 whole step below the root and make it a 7'th chord.

Offline gtrdave

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Re: the b7th chord
« Reply #1 on: May 19, 2008, 10:45:10 AM »
I would take it as being a maj chord 1 whole step below the root (as you said) if I saw it as bVII. It'd be a deviation from the typical diatonic chord sequence.
If I saw it as a b7 chord then I'd assume that it was a dom 7 chord one half step below the natural note root.
Music theory is not always music reality.

Offline jlynnb1

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Re: the b7th chord
« Reply #2 on: May 19, 2008, 11:19:37 AM »
i would see it the same as dave. so if you were in "E" i'd just take that as a "D" chord...

Offline made2praise

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Re: the b7th chord
« Reply #3 on: May 19, 2008, 11:20:18 AM »
Like a progression that is written in the key of G as     I-III-IV-bVII-I
Would the bVII be F7 or Fmaj? I know the rest would be Bmin-C-D and of course the I is G
Is the VII flatted alot in gospel music, and how often is the VIIdim used?

Offline Fenix

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Re: the b7th chord
« Reply #4 on: May 19, 2008, 11:32:03 AM »
Like a progression that is written in the key of G as     I-III-IV-bVII-I
Would the bVII be F7 or Fmaj? I know the rest would be Bmin-C-D and of course the I is G
Is the VII flatted alot in gospel music, and how often is the VIIdim used?

I don't think the b7 is used a whole lot in gospel music. Usually gospel musicians will play a variation on the VII.

Israel Houghton uses the flat VII a lot in a lot of his songs. In his case, its usually a bVII major sus chord. It is SO sweet.

Listen to his song "Deeper" and you will notice this. The song is in D and the beginning intro chords go from a Dmaj6 to a Cmaj6 which is the b7 of D major.

Sweet!!!!
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Offline gtrdave

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Re: the b7th chord
« Reply #5 on: May 19, 2008, 11:35:36 AM »
Like a progression that is written in the key of G as     I-III-IV-bVII-I
Would the bVII be F7 or Fmaj? I know the rest would be Bmin-C-D and of course the I is G
Is the VII flatted alot in gospel music, and how often is the VIIdim used?

It'd be an F, not a dom 7 or 7.

Flat 7 chords are fairly popular in a lot of pop music and not just Gospel. They're a common way to bring a little tension into the music when resolving back to a I chord.

VIIdim chords I don't see a whole lot of in what I play. More common for me to see a V7 chord w/ a third in the bass with both the dom7 and the VII bass note begging for resolution to the I.  ;D
Music theory is not always music reality.
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