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[Wolfram]

and, when there's NO bass or 'pedal' 

That would defeat the purpose of this exercise...  I am trying to get you to learn how to gain chord options in jazz voicing.  If you are on organ, you have pedals, and if you are playing piano in a trio or quartet, you will be using a bass player.  If you are playing solo piano, then that is another topic entirely.

This topic is to strengthen your left hand comping chops and freeing yourself from the need to pound out the bass with your left all the time.  It is a chance to stretch away from your comfort zone

[sjonathan02]

That would defeat the purpose of this exercise...  I am trying to get you to learn how to gain chord options in jazz voicing.  If you are on organ, you have pedals, and if you are playing piano in a trio or quartet, you will be using a bass player.  If you are playing solo piano, then that is another topic entirely.

This topic is to strengthen your left hand comping chops and freeing yourself from the need to pound out the bass with your left all the time.  It is a chance to stretch away from your comfort zone

I fall into this category, though. Well, that's the way it's looking, anyway (meaning, I may be asked to get on the keys at some point in the not-too-distant future).

[diverse379]

a question on rhythm

what are some rhythmic choices to comp with the left hand

i find myself doing the comp on the one and the and of two

are there some others that you could list for us


thanks

[Guiano]

Hi. u guyz ar duin a gr8t job. Im new here nd hav little knwlege about your post. Pls where do i begin from. Tanx

[Rjthakid]

The first lesson we will look at here is based off of the II - V7 - I chord progression.  This is an extremely popular progression in jazz and modern music that uses the AABA form.  There are simple ways of thinking about setting yourself up for a basic comping pattern for these sort of tunes.  We can place these patterns into A patterns and B patterns

In the "A" Pattern, your inital left hand voicing will start on the third. (You use this pattern for chords between C and F)
In the "B" Pattern, your initial left hand voicing will start on the seventh. (You use this pattern for chords between F# and B)

examples:

A Pattern: In C:    II-9  =  b3, 5, b7, 9       D(-9)     F, A, C, E          remember that the bass is playing the D  (pedal) 
                         V13  =  b7, 9, 3, 13       G13        F, A, B, E          G is played by bass or by pedal
                         I 6/9 = 3, 5, 6, 9           C 6/9     E, G, A, D          C is played by bass or by pedal

B Pattern:  In Ab:  II-9  =  b3, 5, b7, 9       Ab(-9)   Gb, Bb, Cb, Eb    remember that the bass is playing the Ab  (pedal) 
                          V13  =  b7, 9, 3, 13       Db         F, Bb, Cb, Eb     Db is played by bass or by pedal
                          I 6/9 = 3, 5, 6, 9           Gb 6/9    Eb, Ab, Bb, Db   Gb is played by bass or by pedal


Here is a worksheet for you to practice these patterns with.  You will have to fill them in first ...  Let me know how things go!!!

WQLF

Wolfram

Either there's a typo or I'm missing something.

The B pattern notes that you're in Ab....but aren't you in Gb?

[Wolfram]

The chord written is Ab with a minor 9.  Don't forget that you are pedalling the Ab in the bass.