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Gospel Instruments => Organ Room => Topic started by: Big_Al on May 31, 2006, 11:55:57 AM

Title: Exercise - Changing Modes using 2-5-1s
Post by: Big_Al on May 31, 2006, 11:55:57 AM
LGMers, try these key changes using 2-5-1s. This is a GREAT exercise.
Let me know if you'd prefer notes instead of chords. As for basslines,
use the root bass with each chord.

Bbm7   Eb7  Bm7  E7  AM7

Am7  D7  Bbm7  Eb7 AbM7

Abm7  Db7  Am7  D7  GM7              Bbm7  Eb7  AbM7

Bm7   E7   AM7


-Alonzo Brown
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on May 31, 2006, 02:15:01 PM
Check out my post entiltled(Yo all my Godly Organist)
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: UCJA2008 on June 01, 2006, 02:28:27 AM
prefer notes
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: CATRON on June 01, 2006, 03:00:29 AM
prefer notes


WELL IM NOT EVAN GONNA LIE TO YOU BRO. I KNOW THE METHOD OF THIS WAY OF SPELLING CHORDS BUT I DON'T KNOW ALL OF THEM. lol

ALL IT IS, IS BASIC CHORDS WITH ADDED NOTES ON THE TOP.


FOR EXAMPLE AN F#M7.

ALL THAT IS, IS A REGULAR F# MAJOR CHORD WITH A ADDED 7th.

THE ADDED 7th MEANS THAT YOU ARE TO ADD THE 7th NOTE OF THE F# MAJOR SCALE TO THE TOP OF THE CHORD.

SO THAT CHORD IS A F#-Bb-C#-F.


I HOPE IM NOT CONFUSSING YOU MAN. IF YOU NEED ANY HELP MYSELF, BISHOPCOLE, AND KEY-WIZ COULD HELP YOU OUT WITH IT.

I'M NOT DOWNING ANYBODY ELSE ON FORUM, I JUST KNOW FOR A FACT THAT THOSE OTHER 2 PEOPLE THAT I MENTIONED HAVE NO PROBLEM HELPING YOU OUT WITH THIS.


HOLLA
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: Big_Al on June 01, 2006, 01:24:36 PM
Guys. Please you're killing me. Don't mix sharps with flats in chord reference. If you prefer Sharps, the above notation is F# A# C# F. On the other hand, flats would be Gb Bb Db F.

-Al
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: rjthakid on June 01, 2006, 03:03:49 PM
Guys. Please you're killing me. Don't mix sharps with flats in chord reference. If you prefer Sharps, the above notation is F# A# C# F. On the other hand, flats would be Gb Bb Db F.

-Al

Yea, I hate that too.  lol.

A problem with only listing chord names is that it doesn't tell you which inversion to use unless you specify.  I've always found it helpful when someone lists the notes, AND the chord name next to it.

Now, if you said Ab13#5b9, I'd know what you're talking about (Notes: Ab-C-E-G/Db-F-A), but not everyone does.

You see, in that chord I listed, I put the b9 on top.  With just Ab13#5b9, you don't know WHAT inversion to use.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 03, 2006, 06:38:13 PM
rjthakid, that's because using 2-5-1's to switch keys is a *concept*.  It doesn't matter which inversion you do it in.  Matter of fact you shouldn't use the same inversion every time anyway.  If you learn how to think of things in terms of harmony instead of specific notes, then you can choose inversions by the melody you're hearing on the top and your playing will sound a lot more full and colorful (think David Jackson and Butch).

So don't worry so much about having someone tell you which inversion to use.  Just listen and use your ear.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: rjthakid on June 05, 2006, 08:42:31 AM
rjthakid, that's because using 2-5-1's to switch keys is a *concept*.  It doesn't matter which inversion you do it in.  Matter of fact you shouldn't use the same inversion every time anyway.  If you learn how to think of things in terms of harmony instead of specific notes, then you can choose inversions by the melody you're hearing on the top and your playing will sound a lot more full and colorful (think David Jackson and Butch).

So don't worry so much about having someone tell you which inversion to use.  Just listen and use your ear.

First, let me correct myself.  Ab13#5b9 isn't   Ab-C-E-G/Db-F-A........That "G" is supposed to be Gb   :-[ 

Sorry about that.

I now understand what you mean, and in your case the specific inversion isn't required. 

Now if you were giving the chords to a SONG, then you'd need to specify.  But since this is theory and not a song, I see why you didn't spell it out.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: SupremeSaltine on June 05, 2006, 10:01:14 AM
Yea, I hate that too.  lol.

A problem with only listing chord names is that it doesn't tell you which inversion to use unless you specify.  I've always found it helpful when someone lists the notes, AND the chord name next to it.

Now, if you said Ab13#5b9, I'd know what you're talking about (Notes: Ab-C-E-G/Db-F-A), but not everyone does.

You see, in that chord I listed, I put the b9 on top.  With just Ab13#5b9, you don't know WHAT inversion to use.

Are you saying that because the flat 9 is denoted last in the chord symbol that it means it is voiced on top?  That's not right.  Not that it couldn't be on top,

This chord would be kind of a mess.  I think a better way to notate it would be Ab7 (b9 b13).  The way you have it written it contains both the flat 6th and the natural 6th (the #5 and the 13) which is very dissonant.  Also there is no 11th in a 13th chord.  The notation of "13th" does not mean that the chord contains the 7th, 9th, 11th and 13th scale degrees.  It only means there is a 7th and a 6th in the same chord.    I would play this chord:  Ab in the pedal, Gb/C in the LH, and E/A in the RH.  It naturally resolves to Dbmaj13 voiced: Db in the pedal, F/Bb in the LH and Eb/Ab in the RH.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: rjthakid on June 05, 2006, 01:14:56 PM
Are you saying that because the flat 9 is denoted last in the chord symbol that it means it is voiced on top?  That's not right.  Not that it couldn't be on top,

This chord would be kind of a mess.  I think a better way to notate it would be Ab7 (b9 b13).  The way you have it written it contains both the flat 6th and the natural 6th (the #5 and the 13) which is very dissonant.  Also there is no 11th in a 13th chord.  The notation of "13th" does not mean that the chord contains the 7th, 9th, 11th and 13th scale degrees.  It only means there is a 7th and a 6th in the same chord.    I would play this chord:  Ab in the pedal, Gb/C in the LH, and E/A in the RH.  It naturally resolves to Dbmaj13 voiced: Db in the pedal, F/Bb in the LH and Eb/Ab in the RH.


This is a quote from

http://jlb-music.inkom.hr/59.html


Eleventh Chords
Eleventh chords are created by adding a perfect eleventh interval to an existing ninth chord.  There are some exceptions.
If you have a major 9th chord or a dominant chord, and you add a perfect 11th, you will create a very dissonant chord.  To decrease the dissonance raise the 11th by a half-step.  You reflect this alteration in the chord name like so.


Thirteenth Chords
Thirteenth chords that are "complete" are built by adding a major thirteenth to an existing eleventh chord.  You should note that extended chords won't always have ALL of the notes that it theoretically should have.  In a thirteenth chord it is popular to leave out the eleventh.  If the eleventh is in the chord and it is altered you must show that is.



(actually that chord had a typo in it ....I corrected it in a latter post.  the G is actually supposed to be Gb)
The key word there is "complete" the 13th I listed was "complete"  but it doesn't HAVE to be complete.

Also, you said that a 13th only means that there is a 7th and 6th, but that's actually 7/6 (7 add 6)

Yea, it's dissonant.  It definitely can't be played on a keyboard.  lol.  I don't play keys.  As a passing chord on an Organ, it'll give you a phat sound.  I don't know why you don't like it though.  Sounds good to me.  I could be wrong.

Since this is the Organ Room:

Ab/C-E-Gb/Db-F-A


Something I learned:  You NEVER look at a chord by itself and say it doesn't sound good.  You'd have to hear it in the context of the music.  There are some UGLY chords that, when played as passing chords add some real spice to music. 

Looking at a chord by itself is like looking at a random quote in a book: sometimes it speaks for itself, but sometimes you have to know what came before it and what comes after it to truly understand it.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 06, 2006, 05:30:37 PM
THIS ARE ALL GREAT POST BUT

FT/LH/RH IS THE CORRECT WAY TO POST IN THE ORGAN ROOM
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 06, 2006, 06:58:46 PM
Why does there have to be a "correct" way to post.  Let people post however they want, and if you can't understand the theory just check out a book or ask somebody.  It's a really useful way of describing chords
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 10, 2006, 06:07:53 PM
Why does there have to be a "correct" way to post.  Let people post however they want, and if you can't understand the theory just check out a book or ask somebody.  It's a really useful way of describing chords
well if you do some reseach on some of my past post you will see that i say post like FP/LH/RH
because if this site is supose to help ALL muiscan beganners as will as advanced then it would be easier and faster to learn if they were posted like this. But if chords or posted like AbM7(b5)_ (CGG) then people have to bother with looking in a dictionary Chord book, Old high school trig math book and biology book before being able to play even the first chord. And by the time you do decode the first chord you dont even fill like playing the song anymore. So it is ALOT better and easier to read if ORGANchords or posted like this FP/LH/RH it gets right to the point and everyone understands it
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 11, 2006, 03:47:29 PM
I read your past post :D

You definitely don't need a trig book to understand what a minor 7 chord is.  This is simple basic harmony, and anyone that spends a couple days or weeks learning the basics and/or asking somebody that knows can understand this with no problem.  This isn't Herbie Hancock-level stuff.

When somebody is posting a concept it's better to use actualy harmonic language like this instead of putting a bunch of individual notes, because you can only use it correctly if you understand the concept anyway instead of just trying to memorize specific chords.  That is the point.

if you learn this stuff you progress much faster as a musician.  If not, you basically slow yourself down.  A lot of people I know have no idea just how much faster they'd learn if they took the time to get a few basic concepts about harmony.

And yeah, I think that's something every beginner should do.  You shouldn't have to be advanced to know basic theory.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: diverse379 on June 13, 2006, 06:20:06 AM
The fact of the matter is that there are different levels of musicians here

and jomo you have a pet peeve about reading chords you have said so on numerous occasions but for some of us having the symbol read is easier there are many people who post in the other form most in fact.  If big al chooses to post in traditional   notation then that is his right. 

I hope you dont jump on me for saying this.  but the fact is that many musicians on this site read or know a significant amount of theory and it is difficult for us to read the notes written out it is much easier for us to read the chord symbol.
When I see a symbol i instantly have 10 chords i can play some may have 100
so the symbol is liberating not confining and if you have to read  couple of books to learn to read symbols then do it learn it and then you never have to read it again
because in truth one good book chapter can teach you how to read symbols and then you will never have to worry again

 

you will never be able to please everybody so dont expect people to always to be able to please you.

LGM does and has adopted a very useful methord for notating chords I personally like it and sometimes use it with my beginning students but before they have been with me for three months they are reading chord symbols.  Chord symbols are standard in Jazz and in all song books.  So it is something that every serious musician should learn. 
But if You dont feel like you need to learn it dont learn it but then dont complain when people post with chord symbolse .

God forbid someone figures out how to type actual music notation on this site
Remember this site serves beginners advanced and intermediate readers theorists and ear players
so let the posters post how they choose and their post will serve the audience that can most appreciate them

I hope Jomo that you take what i have written in the way it was intended To be a blessing to you and all that read it
lets be careful about thinking one thing or another is correct or incorrect that is how we get ourselves twisted over nothing.

To Big Al thanks for you post I like it what and where did you get it from

Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: Big_Al on June 13, 2006, 08:02:06 AM
Thanks guys for your reply. Sorry for the confusion. Next time, I'll try to post my chords in Symbols and a format for beginners as well (fp/lh/rh with chord )

As for where I obtain this material, its a basic 2-5-1 excerise from one of my Jazz theory classes.

Please stay BLESSed.

-Al

Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 14, 2006, 02:54:24 PM
whoaaaaaaaaa when did you guys ever read that i dont know what this symobals mean, Just for the record i do know how to read alot not all but alot of this symobals that are posted. But i guess God has not bless certain people the gift of comprehending what people are saying sooo i 'll try and explain it once more for those people who really cant read and tend to skip over words when they read. IF THIS IS A SITE FOR ALL MUSICAN, BEGNNINGS, INTERMEDATE. AND ADVANCE THEN IT IS BEST TO POST WHERE EVERYBODY CAN BENIFIT. AND SINCE THIS IS THE ORGAN ROOM THEN IT IS BETTER TO POST ORGAN CHORDS LIKE HOW PEOPLE PLAY THE ORGAN WITH BASS NOTES LEFT HAND NOTES AND RIGHT HAND NOTES (FP/LH/RH) NOW IF I WAS AND ORGANIST WHICH I AM AND I WANT SOME ORGAN CHORDS TO A SONG OR A CERTAIN CHANGE THAT YOU DO ON THE ORGAN THAN I WOULD COME ON THIS SITE AND COME TO THE SO CALL ORGAN ROOM AND DO YOU KNOW WHAT I WOULD PROBABLY FIND CHORD POSTED LIKE I WAS PLAYING THE PIANO OR KEYBOARD WHICH IF YOU ARE A REAL MUSICAN WOULD KNOW THAT ITS A BIG DIFFENCE IN THE THREE. WHO POSTED THE SICKEST CHORDS ON LGM? THE ANSWER WOULD BE KEY-WIZ IF YOU NOTICE WHEN HE POST EVERYBODY EVEN THE SUPER BEGNNERS WHO HAVE NOT LEARN HOW TO READ CHORD LIKE A9(C-G-F)BbAUG7  CAN PLAY IT.KEY-WIZ ALWAYS POST HIS ORGAN CHORDS FP/LH/RH THIS WHY I SURE EVERY DOES SOME THING THAT KEY-WIZ DOES BECASUE BROTHER NOWS HOW TO POST SO SICK CHORDS FOR EVERYBODY NOT JUST THOSE WHO JUST READ NOTATION.
HE POST FOR EVERYONE THAT CAN UNDERSTAND THE ALPHBET[/move SO
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: rjthakid on June 15, 2006, 09:20:16 AM
whoaaaaaaaaa when did you guys ever read that i dont know what this symobals mean, Just for the record i do know how to read alot not all but alot of this symobals that are posted. But i guess God has not bless certain people the gift of comprehending what people are saying sooo i 'll try and explain it once more for those people who really cant read and tend to skip over words when they read. IF THIS IS A SITE FOR ALL MUSICAN, BEGNNINGS, INTERMEDATE. AND ADVANCE THEN IT IS BEST TO POST WHERE EVERYBODY CAN BENIFIT. AND SINCE THIS IS THE ORGAN ROOM THEN IT IS BETTER TO POST ORGAN CHORDS LIKE HOW PEOPLE PLAY THE ORGAN WITH BASS NOTES LEFT HAND NOTES AND RIGHT HAND NOTES (FP/LH/RH) NOW IF I WAS AND ORGANIST WHICH I AM AND I WANT SOME ORGAN CHORDS TO A SONG OR A CERTAIN CHANGE THAT YOU DO ON THE ORGAN THAN I WOULD COME ON THIS SITE AND COME TO THE SO CALL ORGAN ROOM AND DO YOU KNOW WHAT I WOULD PROBABLY FIND CHORD POSTED LIKE I WAS PLAYING THE PIANO OR KEYBOARD WHICH IF YOU ARE A REAL MUSICAN WOULD KNOW THAT ITS A BIG DIFFENCE IN THE THREE. WHO POSTED THE SICKEST CHORDS ON LGM? THE ANSWER WOULD BE KEY-WIZ IF YOU NOTICE WHEN HE POST EVERYBODY EVEN THE SUPER BEGNNERS WHO HAVE NOT LEARN HOW TO READ CHORD LIKE A9(C-G-F)BbAUG7  CAN PLAY IT.KEY-WIZ ALWAYS POST HIS ORGAN CHORDS FP/LH/RH THIS WHY I SURE EVERY DOES SOME THING THAT KEY-WIZ DOES BECASUE BROTHER NOWS HOW TO POST SO SICK CHORDS FOR EVERYBODY NOT JUST THOSE WHO JUST READ NOTATION.
HE POST FOR EVERYONE THAT CAN UNDERSTAND THE ALPHBET[/move SO
But Jomo7, you have to understand why he used chord names in THIS post.  Because this is mainly theory.  So voicings are irrelevant in this case.  Now if it was a song, then you could say: "he should've typed it out so we can see the voicings he used", but this is different.  It's not about sick chords and stuff.  Even if he typed it out for the beginners, it wouldn't help them unless they understood what they were doing anyway.

So I agree that chords should be typed out for SONGS, but theory is different.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: diverse379 on June 15, 2006, 12:59:20 PM
Big Al as i play this progression it reminds me of Giant steps
it has that sound

giant steps changes are
Play through this progression
Bmaj7 D7| Gmaj7 Bb7 | EbMaj7 | Ami7 D7|

Gmaj7  Bb7 |  Ebmaj7 F#7 | Bmaj7  | Fm7 Bb7|

Ebmaj7 | Ami7 D7| Gmaj7|  c#mi7 F#7

Bmaj7 | Fmi7 Bb7|  Ebmaj7 | C#mi7 F#7
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 16, 2006, 10:41:56 AM
jomo7 in my opinion beginners shouldn't be trying to learn sick chords anyway.  They should just learn the basics, and then *build* from there.  Cause really the sickest musicians are people that know the basics well and they just *create* sick chords and changes and runs on the spot instead of memorizing a bunch of them and trying to throw them in.

You keep saying people didn't read what you said, but now you didn't read what I said.  So I will repeat:

minor and major seventh chords are *beginner* level theory.  That's not advanced stuff.  This is not Chick Corea level theory.  This is stuff EVERY musician should know, whether they started 2 months ago or 20 years ago.  If you don't learn this stuff it slows down your whole development as a musician.

It's not about specific notes.  There's not just one way to play a 2-5-1.  But when you know the *concept* you can create as many of them as you like and they can be as sick or as simple as you wanna be.  Like rj said, just putting the notes up is not gonna help somebody who doesn't know how to use the concept anyway.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 16, 2006, 10:56:09 AM
http://forums.learngospelmusic.com/index.php/topic,25122.0.html

I think the stuff posted on that topic says it all
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: TheReturn on June 16, 2006, 01:57:19 PM
OK GUYS, HERE WE GO.


THERE IS NO RIGHT OR WRONG WAY TO POST CHORDS.


BUT, THERE IS A RIGHT OR WRONG WAY TO POST CHORDS DEPENDING ON WHO YOUR EXPLAINING THEM TO. IF YOUR TALKING TO A PIANIST, IT WOULD BE BEST TO POST CHORDS IN THE SYMBOL FORMAT. (ex: F#M7) WHY, BECAUSE PIANIST ONLY HAVE TO DEAL WITH THEIR RIGHT AND LEFT HAND. SO A  F#M7 WOULD MEAN THAT, THE LEFT HAND WOULD PLAY A F# BASS AND THE RIGHT HAND WOULD PLAY F#-A#-C#-F. (F#/F#-A#-C#-F)


BUT ON THE OTHER HAND, SINCE ORGANIST HAVE PEDALS TO PLAY ALSO, THEIR CHORDS WOULD HAVE TO BE POSTED IN THE SPELL-OUT FORM. (in notes that are spelled out)

SO FOR EXAMPLE, IF SOMEONE TOLD ME TO PLAY A F#M7 ON THE ORGAN, MY BASS PEDALS WOULD PLAY A F#, MY LEFT HAND WOULD PLAY NOTHING, AND MY RIGHT HAND WOULD PLAY F#-A#-C#-F.

WELL IF I TOLD AN ORGANIST TO PLAY F#/F-F#-C#/F#-A#-C#-F. THE ORGANIST WOULD STILL BE PLAYING A F#M7 CHORD BUT HE'S LEFT HAND WOULD BE ACTIVE OPPOSED TO PLAYING A REGULAR F#M7 CHORD WITH THE RIGHT HAND AND NOTHING ON THE LEFT.



I HOPE I DIDN'T CONFUSE ANYONE HERE. IF I DID JUST WRITE BACK AND I'LL TRY TO HELP.






TheReturn
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: diverse379 on June 16, 2006, 03:39:42 PM
I agree with Code warrior and Rhitaki

Very well said. 

true indeed the beginning organist wants to know what to do with his left hand.
and there are many things play

as far as how to post and where to post i still say leave that up to the person posting

an organinst who knows his instrument will figure out what to play in his left hand

some organ chords and styles use left hand bass right hand chords

so there is no need to actually post a left hand chord since there is none

I studied with melvin and there was this song that i sweated over playing it with left hand chords and melvin sat down and played it with bass lines in the left hand against right hand chords

hey whatever sounds good

I just wish people didnt express their desire or opinions like it is the only way to do something
there are many many ways to reach a goal and that is what makes our world what it is diversity

Be Blessed everyone
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 17, 2006, 10:28:48 AM
well said.  And TheReturn, if you play with a bass player when you play piano (and a lot of people do nowdays) then your piano chords look a lot like your organ chords, except that the bass player is playing the root instead of your foot.  So piano isn't all just bass/chord, a lot of times you use the right hand and left hand together to make chords just like you would on the organ.  Like diverse said, if you know the basic theory then you can make whatever kind of chords you want on whichever instrument.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 22, 2006, 10:32:05 PM
OK GUYS, HERE WE GO.


THERE IS NO RIGHT OR WRONG WAY TO POST CHORDS.


BUT, THERE IS A RIGHT OR WRONG WAY TO POST CHORDS DEPENDING ON WHO YOUR EXPLAINING THEM TO. IF YOUR TALKING TO A PIANIST, IT WOULD BE BEST TO POST CHORDS IN THE SYMBOL FORMAT. (ex: F#M7) WHY, BECAUSE PIANIST ONLY HAVE TO DEAL WITH THEIR RIGHT AND LEFT HAND. SO A  F#M7 WOULD MEAN THAT, THE LEFT HAND WOULD PLAY A F# BASS AND THE RIGHT HAND WOULD PLAY F#-A#-C#-F. (F#/F#-A#-C#-F)


BUT ON THE OTHER HAND, SINCE ORGANIST HAVE PEDALS TO PLAY ALSO, THEIR CHORDS WOULD HAVE TO BE POSTED IN THE SPELL-OUT FORM. (in notes that are spelled out)

SO FOR EXAMPLE, IF SOMEONE TOLD ME TO PLAY A F#M7 ON THE ORGAN, MY BASS PEDALS WOULD PLAY A F#, MY LEFT HAND WOULD PLAY NOTHING, AND MY RIGHT HAND WOULD PLAY F#-A#-C#-F.

WELL IF I TOLD AN ORGANIST TO PLAY F#/F-F#-C#/F#-A#-C#-F. THE ORGANIST WOULD STILL BE PLAYING A F#M7 CHORD BUT HE'S LEFT HAND WOULD BE ACTIVE OPPOSED TO PLAYING A REGULAR F#M7 CHORD WITH THE RIGHT HAND AND NOTHING ON THE LEFT.



I HOPE I DIDN'T CONFUSE ANYONE HERE. IF I DID JUST WRITE BACK AND I'LL TRY TO HELP.






TheReturn
I agree with you brother. i guess use real organist can only understand what we are trying to tell this wanna be
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: codewarrior on June 23, 2006, 07:14:21 AM
I agree with you brother. i guess use real organist can only understand what we are trying to tell this wanna be

"real organists" understand how to use their left hand when they chord.  If a singer says "Eb major" and starts singing, are you gonna stop her and ask her what notes to put in the left hand? :D

Also, who are you to say who is a "wannabe".  Are you just concerned about organ skills, to the point that you would rather insult people instead of trying to deal with them as a brother or sister in christ would?

Don't forget, being in God's family is about way more than just music.  It's a lifestyle...
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: rjthakid on June 23, 2006, 11:19:58 AM
Ok, I'll say this again.

The chords originally posted were correct.  They didn't need to be spelled out.  If these were chords to a SONG, they they'd need to be spelled out.  But this was theory.  Spelling out the chords would't help you, but this post is not about the actual chords, but it's about the CONCEPT he was trying to show. 

If he posted a song with only chord names, I'd be right there with you guys, saying that he should've spelled them out.  But because this is Theory...a concept...an idea....spelling out the chords is pointless.

And you can't say that it doesn't help beginners, because spelling out chords wouldn't help beginners understand a CONCEPT!!!
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: rjthakid on June 23, 2006, 11:22:12 AM
Furthermore, I'm a beginner.

NO beginner should be on here trying to find chords if they don't first know what an AbM7 is.
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 23, 2006, 07:13:12 PM
"real organists" understand how to use their left hand when they chord.  If a singer says "Eb major" and starts singing, are you gonna stop her and ask her what notes to put in the left hand? :D

Also, who are you to say who is a "wannabe".  Are you just concerned about organ skills, to the point that you would rather insult people instead of trying to deal with them as a brother or sister in christ would?

Don't forget, being in God's family is about way more than just music.  It's a lifestyle...
dude what the heck are you talking about? what is being said is THAT THIS IS A ORGAN ROOM THEREFORE ORGAN CHORDS AND ORGAN CHORDS ONLY SHOULD BE POSTED AND IF THERE ARE CHORDS THE DONT CONTAIN FP/LH/RH
THEN GO POST IT IN THE KEYBOARD OR PIANO ROOM.  gO LOOK AT MY POST ENTITLED YO ALL MY GODLY ORGANIST. YOU WILL SEE THAT ALOT OF PEOPLE THAT REALLY PLAY THE ORGAN ARGEE WITH ME AND DONT WANT TO COME IN THE ORGAN ROOM AND FIND KEYBOARD POSTED  CHORDS SO IT NOT JUST ME IT USE REAL ORGANIST LIKE I SAID.

REAL ORGANIST RULE
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 23, 2006, 07:19:25 PM
Furthermore, I'm a beginner.

NO beginner should be on here trying to find chords if they don't first know what an AbM7 is.
this was posted by a guy in the organ room in respones to one of my post entilted Yo ALL MY GODLY ORGANIST and he is a beginner so lets see how he feels about chords post like this Abm7-lejejioj +BCGE


MY MAN....  U COMIN STRONG WITH THAT... I DIDNT WANT TO SAY ANYTHING BEING THAT IM KINDA NEW TO THE SITE AND THAT IM JUST LEARNING HOW TO PLAY MYSELF..... BUT SINCE YOU BROUGHT IT UP, YOUR 100 WITH DAT... I ALWAYS COME TO THE ORGAN ROOM TO FIND COME CHORDS TO PLAY FOR SUNDAY SERVICE BUT I ALWAYS FIND KEYBOARD CHORDS POSTED IN THE "ORGAN ROOM" ... BEING NEW I JUST TAKE WHAT I CAN. BUTTTTTTT WHEN I GET TO CHURCH AND TRY TO PLAY THESE CHORDS ON THE ORGAN THEY SOUND SOME EMPTY..... THEY JUT DONT SOUND FULL THE WAY ORGAN CHORDS USUALLY SOUND.... I WISH THERE WAS A ORGAN ROOM... ALSO SOME OF THE CHORDS THAT ARE POSTED LIKE
(DM793.-/&=QE1) MEANS NOTHING TO SOMEONE WHO JUST START LEARNING... SOMETIMES IT TAKES ME HOURS TO LEARN A SONG BECAUSE ITS WRITTEN IN ARABIC... YOOO MY MAN IM WIT CHA.......
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: diverse379 on June 24, 2006, 12:04:06 PM
jomo i didnt know you were new

But you keep telling us to refer to your posts about how organ chords should be posted

and i think we all get that

but are you getting what we are saying

if you dont understand what a Bmaj7b5 #9  is if that chord looks foreign to you then you owe it to your self to learn what it is and what the theory behind that is.

as far as how to post organ chords if i posted a chord

in a keyboard format and you wanted to fill it up then play a tritone in your right hand
or a third and a fifth or a third or double up on the chord

you are spending a lot of time writing about how you like to see organ chords posted but like i said you are one voice and ok fine other people like them posted the orgn way

hey so do i i like to see organ chords posted like organ chords too

but if i see achord posted keyboard style i know how to make it an organ chord
by filling in with my left hand

if i see a Dmaj9 #5 i know how to play that

why should i have to suffer or be compromised because you dont like something the organ room is for sharinig ideas and we all have different ways of sharing you seem to be trying to impose your will on everyone and i dont think it is fair

like i said before sometimes a concept is being taught and it is not about a particular voicing but the concept of the progression

three people said this and you did not really hear them and if you did you surely didnt act like it by your response saying the same thing over and over

face it people are going to post the way they want some will post organ style some will continue to put keyboard style chords up and others will put it up in chord chart formulae

believe me some of them know why and what they are doing

you being new dont know everything there is to know and since you dont you should act like it
and let the big boys post what they want how they want and dont walk around telling people what is right and wrong.

i have heard you talk about how nice you are then i see you saying you are new to playing organ
i can tolerate a big head and mouth and ego from a beast but if you are up and coming you should talk less listen and learn more

for real you can blast me if you want bro but this is all said in love
as an older head to a younger head
I have a masters in education and have been playing probably 5 years but i know my theory and i can read any chord chart  and know when to drop a quartal voicng or when to raise my nine and flat my fives

this is all language that can help you so take the time to learn it

and in case you didnt know when you see a keyboard chord
and you want to play int on the organ

go with the 3rd and seventh of the chord first in the left hand

ie
G/ E A C#
C/ Eb Ab C
F/ EG A C

then when you get on the organ play the tritone associated with each bass note

G/FB/EAC#
C/EBb/EbABC
F/EA/EGAC

but truthfully if you know that all this is is a modified 2-5-1 you can do a lot more with it then just this

the first chord is a
G13b5

the second is a
C7#9 #5

and the last is a regular old Fmaj9

hey its liberating being able to on the spot work out the voicings it helps you get gigs and helps you grow as a musician if everyone only posted there voicings those of us that are looking to dig deeper will be hindered

i feel hindered when i see voicings writtten out i like to see chord symbols
but you dont see me yelling in big red letters hey i dont like to see you write out notes why dont you post chord symbols

relax be easy and let people be who God created them to be
you said your piece now let it go dude

for real

your brother in christ Diverse379
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 25, 2006, 07:53:45 PM
hold on doc first of i been on this site for about 3 or 4 years under differnt user names so i am noooooooooooo where near new !  If you read closely child of GOD you wil see that i wrote this is what one of the new members wrote me. So once more people have misread and i challenge my Godly brother and sister to get back to reading and conpreheneing. And i feel that if you trust and believe in God he will help you all with your reading. Come somebody. Lift those hands and say LORD HELP MY READING. LORD HELP MY UNDERSTANDING OF BOTH YOURE WORD AND JOMO7 POST. I NEED YOU LORD INTERCEED ON MY BEHALF. THIS I ASK IN YOUR SON JESUS NAME. THANK GOD AMEN. Now put those holy ghost fill hands together and give yo God some prasie for what is already done and what his about to do in yo life and your reading.NOW SHOUT!!!!!!!!!!!!!!!!!!!!
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: jomo7 on June 25, 2006, 08:12:50 PM
i have heard you talk about how nice you are then i see you saying you are new to playing organ
i can tolerate a big head and mouth and ego from a beast but if you are up and coming you should talk less listen and learn more




































FOR REAL YO ? when have i said that im new to my insturment yo?  unless you plan coming up here to hear me play and probably have a little jam session with me and my cat and eat you alive with your theory and all then i suggest you watch what you typing about people skill especially  STL CATS.

ps: and if your are trying to make that trip then pm me and we can get up and running. MAke sure you bring your best doc
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: mrs-mojo on June 25, 2006, 08:25:08 PM
MY GOD..... you better talk about it Bishop
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: diverse379 on June 25, 2006, 10:33:14 PM
my final thought on this

is

no comment

i am moving on
Title: Re: Exercise - Changing Modes using 2-5-1s
Post by: TheReturn on June 27, 2006, 07:28:29 PM
WOW




THATS ALL IM GOING TO SAY ABOUT THAT.




TheReturn