LearnGospelMusic.com Community
Gospel Instruments => General Music Hangout => Topic started by: B3Wannabe on June 10, 2009, 12:29:35 PM
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In this example, I'll be using the major scale (Ionian mode) of the key a tritone interval (http://en.wikipedia.org/wiki/Tritone) away from my main key, placed over a III7 chord, to lead to a dominant (http://en.wikipedia.org/wiki/Dominant_seventh_chord) IV.
Because I used the key F# in my last example, I'll use it here also.
Key:
F#, G#, A#, B, C#, D#, E#
Now, since we're using the key of F#, our tritone interval (http://en.wikipedia.org/wiki/Tritone) would take us to the key of C.
Related Key:
C, D, E, F, G, A, B, C
We'll take the related scale and play it over a dominant (http://en.wikipedia.org/wiki/Dominant_seventh_chord) III in the original key.
A#-D-G# / C, D, E, F, G, A, B, C
Use this to lead to a dominant IV (http://www.learngospelmusic.com/forums/index.php/topic,66967.0.html).
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In this example, I'll be using the major scale (Ionian mode) of the key a tritone interval ([url]http://en.wikipedia.org/wiki/Tritone[/url]) away from my main key, placed over a III7 chord, to lead to a dominant ([url]http://en.wikipedia.org/wiki/Dominant_seventh_chord[/url]) IV.
Because I used the key F# in my last example, I'll use it here also.
Key:
F#, G#, A#, B, C#, D#, E#
Now, since we're using the key of F#, our tritone interval ([url]http://en.wikipedia.org/wiki/Tritone[/url]) would take us to the key of C.
Related Key:
C, D, E, F, G, A, B, C
We'll take the related scale and play it over a dominant ([url]http://en.wikipedia.org/wiki/Dominant_seventh_chord[/url]) III in the original key.
A#-D-G# / C, D, E, F, G, A, B, C
Use this to lead to a dominant IV ([url]http://www.learngospelmusic.com/forums/index.php/topic,66967.0.html[/url]).
This is a preacher run?!?!
When I get home I'll DEFINITELY try this out. It's different from any preacher run I've ever seen.
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This is a preacher run?!?!
When I get home I'll DEFINITELY try this out. It's different from any preacher run I've ever seen.
Yep. It's the tritone interval that makes it stand out and sound "minorish".
I usually end this with a ii or IV chord over a IV7.
B-D#-A / D#-A#-B or D#-F#-B
That way, the C of the run becomes a leading tone for the B in the IV chord.