LearnGospelMusic.com Community
Style => Jazz => Topic started by: docjohn on September 06, 2010, 07:42:48 AM
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http://<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/kqVybbcoMPs?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/kqVybbcoMPs?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>
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2 tunes by a fav B3 player."Spinky" seems to be Dm7 and Gm7 over and over in 8 bar segments.Sometimes,the Dm7 bassline seems to shift from D C A G to D A G F;anybody hear this or is it something else? Why does that simple change of the Dm/F seem to powerful?
Same with Milestones;very simple development=sounds VERY good.Can anybody expound a bit on all that's going on,because there's a few songs like this that really groove!
thanks
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Charles Earland - Spinky (http://www.youtube.com/watch?v=5FmUDRMG-U0#)