jlynnb1, that's some good stuff.
I agree about the Trower. That cut's Troweriffic. It's also a bit Framptontastic as well. You might as well give in and buy a univibe and a leslie... The Trower-y stuff is the little 6ths thing that follows the piano (as in the "Too Rollin' Stoned" outro--one of the greatest riffs EVER), and you had a couple of those slow, dissonant unison bend things (speaking of Frampton, and Trower... why won't they tour together?!?!?!?).
That's a smokin' tone, too.
Man, I wish i was as "out-of-shape" technique wise as you are. I need to try to apply a more scalar approach to my playing.
Hearing everyone else attack this is inspiring.
And, yes, where is everyone else's??????????????