Ok, I believe that I am starting to figure out a few things such as how to put together a 7-3-6-2-5-1 progression....But I am still not certain about how to incorporate this progression into a congregational song...such as I'm a soldier....I believe that I should have a walking variation in order to get to this progression shouldn't I? If so, what are examples of walking variations or what chords do I need to use in incorporate this progression.....I have the same question for the 6-2-5-1 progression....someone please help me Because knowing a progression without knowing where or how to incorporate it into your music is seemingly worthless. Thanks again for your continued patience and your help.
I believe the answer to your question lies in your bass runs. Not ever bass note has to have a chord to go with it. As long as you have a chord for the most important bass notes, then you're fine. So, if you're playing a particular progression, see how much time is between the chords. Usually, u can just hold one chord down and then play a whole bunch of bass notes before the next chord. It seems like you're playing a walking pattern, but u still sticking to the progression. Example (not really a song, something made up to show what I'm saying):
1-7-3-6-2-5-1 progression w/bass runsKey Gb LH/RH 4/4 time count (each bass note is a beat)
Gb / Db-Gb-Bb (1)
Db /
Ab /
Gb /
F / Eb-Ab-Cb (7)
Ab /
Bb / D-Gb-Ab-Db (3)
Db /
Eb / Db-Gb-Bb (6)
Ab /
Bb /
Db /
Eb /
Db /
Bb /
A /
Ab / C-Eb-Gb-Bb (2)
Db /
Eb /
Gb /
Ab /
Gb /
Eb /
D /
Db / Cb-Eb-Gb-Bb (5)
Gb /
Ab /
Eb /
Db /
Eb /
F /
Db /
Gb / Db-Eb-F-Ab (1)
You see that? Even though I got all them bass notes, the progression is still there. Only on the main bass notes do I have chords. You could try experimenting like that. Does that help?