Just worked this up real quick to give you an example. (hope it prints right...)
~~~~
---------5-----5—8b-5-------------------------------------
------5----8b-------------8p7p5------5--------------------
--7b--------------------------------7b-----5b--------------
--------------------------------------------------7---------
------------------------------------------------------------
------------------------------------------------------------
~~~ ~~~
---------5-----5—8b-5----------------5------------5----------------------------------------
------5----8b-------------8p7p5----------7b------------7/8\7--5—7br--5--------------------
--7b--------------------------------7b---------------------------------7br--5---------------
-----------------------------------------------------------------------------------7\--------
-----------------------------------------------------------------------------------7\--------
--------------------------------------------------------------------------------------/5-----
OK, keep in mind that this is off the top of my head, at work, so timing may left something to be desired, as I can’t really play them out lol.
These both start out the same – basic blues run (the b’s are bends. Probably ˝ bends will do). They each resolve a bit differently to show you how to fit in that F#.
In the second one, the bend and vibrato on the F# is a great, slightly-dissonant, note to throw in for tension (it ends up being a slightly flat 7th, or a slightly sharp minor 7th, however you’d like to look at it… it’s the “Dickey Betts” note, basically lol).
The “br” is a bend and release. The “p” is pull off. I would think you’d know the slashies. Those are slides. (this is why I hate internet tabs lol).
Play around with that and see if it sparks ideas.
(as I was typing this, jlynn replied. Listen to the man, he is steeped in the scalar thing much more than I... as is Dave... I'm more of a "does it fit?" kind of player lol.)