People get intimidated for whatever reason when it comes to playing in keys like E and A. There are just like any other Key on the piano. Anything thats new or unfamiliar will initially seem uncomfortable. Just dive into it. To me some chords/progression sound better in certain keys. BroAllen and T-Block gave excellent replies. If you stretch a little you can jump from E to Db/C#. Kevin Bond an excellent job on the Marvin Sapp song "Lift Those Hands". Aaron Lindsey and Israel like to go from E to G natural a lot. I would encourage you to incorporate atleast 15-30 minutes of your practice time to playing a song in a key that you are not familiar with. It will build your confidence, help you to feel comfortable.
God Bless!!
By the way I like E too!

Awesome discussion! I have a question -- If you've heard Israel & New Breeds version of "Here I Am To Worship", I THINK they move from E to the relative minor (c# minor) -- I want to develop that ability (move from any key to the relative minor to create a different feel). I should be receiving the Jamal Hartwell Urban Worship Classic and Urban Worship Xtreme today and looking at the index, I think he breaks down how to take "Lord I Lift Your Name On High" in E to c# minor. I am just beginning to explore this -- my question is --
1. What are some chords to use in c# minor if I've moved from E?
Is it a LITERAL transposition (ie, "everywhere you'd play an E (I) chord you now play c#, etc" for the whole progression of the song?
2. What chords (or progressions) can you use to move from E to c# minor -- (or ANY key to its relative minor)?
3. What are some nice "color" or fill-in chords in E and c# minor?
4. What is it about going from the major key to the relative minor that changes the sound? What does it do to the sound -- does it give the music more of a 'gospel' feel or is it a 'jazzy' or a 'bluesy' sound?
Thank you!