"What we gain too easily, we esteem too lightly..."
Their is much you can share with a young musician, that will be very beneficial to him, that has nothing to do with teaching progressions that you use. Me teaching you a progression is only giving you fish ... I want to teach you to fish for yourself. I'm thoroughly convinced that the extra effort it takes to develop a solid musical foundation is more beneficial to a musician that just showing him a bunch of chord progressions and runs. My chords and runs are how I express myself. I rather give a young musician the foundation that will allow him to express himself...
Once again - it may take more time, but it's more beneficial, in my opinion. I just think many gospel musicians have just become accustomed to this way of learning for so long, that they're not open to learning a more beneficial way to learning to play. In my opinion, because more effort is involved.
I agree with you....in part.
But this applies only to those musicians who I mentioned who don't understand the basic concepts of music.
For too long there have been Organists & Keyboardists who have failed to instruct and enlighten younger musicians. What happens is, they spend hours upon hours learning and honing and perfecting, and when someone else asks for a specific movement or chord, they get greedy.
They think to themselves: "Why should I show him MY chord movements? After I spent all these hours, days, weeks & years learning them?"
....And the younger musicians must fend for themselves. You could say that that's how it's supposed to be, but I disagree. If we all show each other chords and movements, we can ALL sound better. Gospel music will surpass any and everything the secular world has to offer, because there's strength in unity. If 10 organists each come up with their own stuff, and share with each other, they'll ALL be better. And you better believe they'll play those 10 changes 10 different ways, and in 10 different applications. Besides, they'll have to master those chords in all 12 keys before they can truly say they know it. The person who practices the most will still be better in the end anyway.
Fact of the matter is, when you play for God, you should be more interested in the Kingdom than hoarding chords and progressions.
If I've only been playing the Organ for about 9 months. I can play in every major key (and 2 minors. Working on that.)
I can play any 7, 9, 11, or 13th chord on demand. BUT there are particular VOICINGS that sound better than others.
So if I approach an accomplished Organist and ask about a specific movement I heard him do, I don't want to hear how "What we gain too easily, we esteem too lightly..." lol. JUST SHOW ME THE CHORD MAN! lmbo.

I've developed a small aresenal of changes and chords, and if you show me something, I may be able to show you something that you might not know.
Gospel Musicians are too reluctant to share what they know. If we all share, we'll all be better. It's about the Kingdom!